martes, 20 de mayo de 2008

DJ Equipment

DJ equipment consists of:
Sound recordings in a DJs preferred medium (eg. vinyl records, compact discs, computer media files)
A combination of two devices, or sometimes one if playback is digital, to play sound recordings, for alternating back and forth to create a continuous playback of music (e.g. record players, compact disc players, computer media players such as an MP3 player)
A sound system for amplification or broadcasting of the recordings (e.g. portable audio system, PA system) or a radio broadcasting system.
A DJ mixer, an electronic, usually two-four channel, mixer with a crossfader used to smoothly go from one song to another (using two or more playback devices)
Headphones, used to listen to one recording while the other recording is being played to the audience, and
Optionally, a microphone, so that the DJ can introduce songs and speak to the audience.
Other equipment could or can be added to the basic DJ set-up (above) providing unique sound manipulations. Such devices include, but are not limited to:
Electronic effects units (delay, reverb, octave, equalizer, chorus, etc). Some club DJs use a suboctave effect which creates a very low bass sound and adds it to the mix.
A computerised performance system, which can be used with timecode encoded vinyl/CD content to manipulate digital files on the computer in real time.
Multi-stylus headshells, which allow a DJ to play different grooves of the same record at the same time.
Special DJ digital controller hardware can manipulate digital files on a PC or laptop, by using midi signals
Samplers, sequencers, electronic musical keyboards (synthesizers), or drum machines.
Several techniques are used by DJs as a means to better mix and blend prerecorded music. These techniques primarily include the cueing, equalization and audio mixing of two or more sound sources., complexity, and frequency of special techniques depends largely on the setting in which a DJ is working. Radio DJs are less likely to focus on music-mixing technique than club DJs, who rely on a smooth transition between songs using a range of techniques.
Club DJ turntable techniques include beatmatching, phrasing, and slip-cueing) to preserve energy on a dancefloor. Turntablism embodies the art of cutting, beat juggling, scratching, needle drops, phase shifting, back spinning, and more to perform the transitions and overdubs of samples in a more creative manner (though turntablism is often considered a use of the turntable as a musical instrument, rather than a tool for blending prerecorded music). Professional DJs may use harmonic mixing to choose songs that are in compatible musical keys.


Hugo Cesar Sanchez

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